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Directory:
ChungKing Mansion
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Tibet Language
Tibetans have their own
language, which is known as “bod-yig” in the
Tibetan-inhabited areas with the meaning of “Tibetan
language”. Tibetan language belongs to the Tibetan-Burman
branch of the Sino-Tibetan language family. According to
geographical divisions, it has three major local dialects:
Weizang, Kang and Amdo. The first two dialects have their
own tones in pronunciation while the latter don’t. Created
in the early 7th century, the Tibetan language, a phonetic
system of writing, was based on the writing system of the
ancient Sanskrit language of India. Tibetan language
consists of thirty consonant, four vowels, five inverted
letters (for the renting of foreign words) and the
punctuations. Sentences are written from right to the left.
With two major written scripts namely the regular script and
the cursive hand, Tibetan language is widely used in all
areas inhabited by Tibetans. In 641 AD, Songtsen Gampo, a
king in southern Tibet, married Wen chen Konjo of the Tang
dynasty, which gave a boost to the development of the
Tibetan culture. From the 10th century to the 16th century,
the Tibetan culture developed dramatically. Throughout the
centuries, the Tibetans bring to us not only the two
well-known Buddhist master pieces, the Bka-gyur, and the
Bstan-gyur, but also other great works on cadences,
literature, philosophy, history, geography, arithmetic,
calendar, medicine and so on. VerbsTibetan verbs can be divided into transitive verbs and intransitive verbs. Transitive verbs can be used to construct simple Tibetan sentences and it is required that an auxiliary word should be used after the subject so that the verbs can be in accordance with the subject. A typical Tibetan sentence is in the “subject-object-verb” order. This is one of the features of Tibetan transitive verbs. Tibetan verbs can also be classified as active verbs and passive verbs according to the restriction of the subject to the verb. This is another feature of Tibetans. The active verbs may have the imperative form,while the passive verbs may not. Tibetan verbs are composed of two parts: the root, which carries the meaning of the verb, and the ending, which indicates the tense. There are eight uses of the verbs in Tibetans expressing different tense and voice. Basically, there are the present, past, future tense, the perfect tense, the progressive tense and the subjective mood. For example, the simplest and most common verb form, consisting of the root plus certain ending, can be used for the present and future tense; in order to form the past tense, substitute the ending or add the auxiliary word. AdjectiveThere are two major functions of Tibetan adjectives: to modify a noun or to be predicative. When it is used in an indicative mood, it functions as an intransitive verb, which can only be followed by auxiliary word, not the object. NumeralsTibetan numerals are of the decimal system. The cardinal numbers consist of only one syllable. Different words are used to indicate the high-order number like hundred, thousand, ten thousand, a hundred thousand, ten million, and so on. Tens digit can be used together with number of ones place with slight difference in the pronunciation. Auxiliary wordAuxiliary word can be added
at the end of the verbs to indicate tense; it can be added
between words or phrases to indicate different relationship
between components of the sentence; it can also be added at
the end of the sentence to indicate the mood. U-chen style is also called the “cristated script”. This is because when each letter is drawn, a horizontal stroke is used on the top and it is required that these entire horizontal strokes should be parallel to the first top line; therefore, it looks like a flat cap. Some people consider U-chen to be the printing font because it is often used for the printing of books, but it is not really the case. In fact, U-chen is also used in people’s handwriting when they are taking notes, writing compositions and so on. U-me is known as the
“non-cristated script” as no horizontal line is necessary on
the top of the letters. So far, the style of the
Jongs is considered to be the sample of U-chen script, with
distinctive features of being solemn and elegant. This scrip
includes the stroke of horizontal line, vertical line,
oblique line, and curved line. The same kind of stroke
should be written with the same height, length, pitch and
curve. The writings should be plump and uniform, with
regular gap between letters. Dotted lines must be avoided.
Therefore the entire written text would be orderly and
formal, like a parade of honored guards. GreetingsHello: tashi deleg How are you? : keh-rang ku-su de-bo yin-peh? Good-bye: kah-leh phe See you later: jay-la shong I'm Sorry : gong-dhaa You're Welcome : kay-nang-gi-ma-ray What is your name?: Ming la kay-rey? My name is …. : Ngah…… yin. Pronouns and relationsI : ngah You : keh-rahng he/she: khong-rahng Directions and transportationleft : yong-qang right : yehang-qang go straight ahead : ke-er-duom bus: mozha bus station: mozha-pazhuo Placeshotel: zhun-kangha gas station: nong-lu-sah bank : wha-khang monastery: kuong-bah hospital: men-khang Shoppingprice: ni-kong-zha expensive : kong-zha-chang-po cheap : kong-zha-chung-po money : bei-xiha What is this? : Dee kah-ray? How much: kah-tsay I will take it: nhi-geying I will leave it : nhi-gemei Time and daysdaytime: ni-ma-kuang night : china-kuang yesterday : keh-sah today : thi-ring tomorrow : sahng-nyi morning: shiao-gai noon : ning-guh Daily dialoguesHello : tashi-deleg Nice to meet you : khye ran jel-ne ga-po joong Is there a vacancy : shiongsha-dugu-er Are there any tourist guide
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nixian-ba-yhou-bo |
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